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He’s now known across the country for directing Baahubali, but in 2008 S.S. And when they’re not an outright remake they still have elements of the south Indian masala style-as seen in Dabangg and its sequel. Nearly every Salman Khan film in recent years has had an earlier Tamil, Telugu, Kannada or Malayalam version. Manichithrathazhu is apparently the gift that keeps on giving two years ago, Priyadarshan directed a spin-off, with original star Mohanlal, called Geethanjali. Priyadarshan, who was a second-unit director on the original, made the 2007 Hindi version, Bhool Bhulaiyaa, which starred Akshay Kumar and Vidya Balan. Over the years, it became one of Indian cinema’s most remade films: in Kannada in 2004 in Tamil (and dubbed in Telugu), with Rajinikanth in the lead, in 2005 and in Bengali that same year. Manichithrathazhu, a Malayalam psychological-comedy-horror film by Fazil, was a huge success in 1993. Murugadoss had earlier made a Tamil version with the same name, starring Surya. It turned out it was a remake of a remake director A.R.
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When Ghajini arrived in 2008, it was immediately derided as an inferior (and unacknowledged) remake of Christopher Nolan’s Memento. It was remade in 1997 by Priyadarshan as Virasat, a film notable for Anil Kapoor’s sombre lead turn and some stunning cinematography by Ravi K. This 1992 film, directed by Bharathan, had a distinguished cast (Kamal Haasan’s co-stars included Sivaji Ganesan and Revathy), and ended up winning five National Awards. In Thevar Magan, Kamal Haasan plays a young man who returns to his village and becomes a figure of respect for the people there.
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Rahman re-did his terrific soundtrack for the original. It starred Vivek Oberoi and Rani Mukerji, and A.R. Madhavan and Shalini as a young couple trying to navigate the first few years of marriage. Mani Ratman directed the original, which starred a very charming R. Saathiya isn’t a bad film, but those who’ve seen the Tamil original insist that the Hindi version doesn’t hold a candle to it. The film, which was about two young lovers who don’t speak each other’s language, was a remake of an earlier Balanchander film, Maro Charitra, which also starred Kamal Haasan. Balachander’s Ek Duuje Ki Liye was a huge success, introducing audiences not only to Kamal Haasan but also the dulcet tones of playback singer S.P. Though he’d been working in Tamil films since 1959 (he started out as a child actor), it was only in 1981 that Hindi-speaking audiences were given a proper look at Kamal Haasan (he’d cameoed in Aaiina in 1977).